antiflicker
Needless Experiment No. 1
Biovision
aquarium, polished mdf, silicone, electric parts, DVD loop, wires, pvc tubes
2005, different sizes
At first sight, it is a complex biological experiment which does not contain such a component that could produce a predictable – or unpredictable – result as a consequence of its real function. From a scientific point of view, it is a completely invaluable - that is, needless – experiment. We can see the frozen moment of a fictitious process, thus even its temporality is an insignificant constituent.
stereo noise (1'52")
Needless Experiment No. 2
RGB
three aquarium, glass-spiral, board, television, DVD loop, fluorescent, wires, pvc tubes
2006, different sizes
Three long-shaped (10 ×10 ×100 cm) glass vessels lie on two supporting surfaces which are filled with green, blue and red coloured dense liquids. Laringual tubes grow out from the end of each vessel, the other ends of which are attached to a television put on the floor. The television screen is filled by a human eye curiously examining the world. Resulting from a computer manipulation, the iris of the eye shows red, green and blue colour transitions which are unnatural according to the RGB colour resolution, and besides an animated graph indicates the percent composition of the colours in the bottom left corner of the screen.
The installation is the evocation of a cyber organ bank; it creates a fictitious transition between the digital world and the living, organic tissues, and at the same time it raises the question of compatibility.
Needless Experiment No. 3
<p>recombinant protein
pvc tube, polyutherane foam, neon thread, cotton, ventilators, felt, wires
2007, different sizes
„Japanese researchers have genetically engineered a species of silkworm which is now able to produce one of the proteins of the human skin called collagene.
Collagene is one of the proteins of the connective tissue primarilz used in reconstructive and cosmetic surgery. Sections of the gene responsible for the production of the human collagene have been placed int he DNA of silkworm. Together with the silkthread the worms excreted the protein wove it into their cocoons.”
/news/
Needless Experiment No. 4
Sample from Solaris
silicon, plate-glass, electric parts, insulator foil, LED display
2007, different sizes
„Az elemzések alapján szerves képletnek minősítették (élőnek akkoriban még senki sem merte nevezni). De míg a biológusok szemében primitív alakulat volt, valami irdatlan véglény (ők „prebiologikus formációnak” keresztelték), mintha egyetlenegy gigászivá fajult, folyékony sejt burkolná az egész bolygót helyenként több mérföld mély, kocsonyás köpenybe, addig a csillagászok és a fizikusok amellett kardoskodtak, hogy rendkívül magas szervezettségű, talán még a földi szervezeteknél is bonyolultabb struktúrának kell lennie, hiszen aktívan befolyásolni képes a bolygópálya alakulását.”
Stanislaw Lem: Solaris
Needless Experiment No. 5
Rat Experiment
installation, DVD loop, electric parts
2008, 115 × 50 × 50 cm
The motivation of the (art)work is a photo that appeared nearly simultaneously on several news portals of the internet – and that shall be handled as a sensation – showing a living experimental rat the head of which is attached to a pile of data cabels. What can we learn if we only look at the picture? We can clearly see that someone has managed to build a plug into the head of the rat in a way that the animal had not perished immediately. What could have been the scientists’ aim with it (they could only be experts, otherwise the rat would not be alive now)? It is obvious that their intention was scientific and it can not be doubted that it is also some kind of an experiment. From the aspect of the experiment, it must also be important that the animal should survive, and furthermore I can presume that it can freely move as there is no sign showing that it is confined by being fixed to some kind of a table. In this case, I can not be very far from the truth by assuming that the goal of the experiment is such an observation that needs the rat to act according to its natural rythm. But what can be the object of the observation? In other words, what can be going on in the rat’s head?
Needless Experiment No. 6
Incubators
light bulbs, sockets, LED, mire-water, mosquito-grubs, wires
2009, different sizes
The exciting microcosm in the rainwater ditch just outside of our house is an impression that often emerges from my childhood memories. This was the place where I perhaps acquired my very first direct experiences of the living world surrounding me. In the summer it was teeming with a variety of wriggling, swimming and crawling larvae, insects, worms and who knows what other types of visible and invisible creatures, whose enthrallingly rich world offered an endless source of excitement in those days. Now as an adult I find the discovery of the mosquito larvae swimming in the rainwater cistern to give rise to very different emotions. Somehow this peaceful, inner world does not fit the urban environment.
For the installation called „Incubators,” I took old-fashioned lightbulbs. First of all, I removed the main cause of their obsolescence, the inefficient tungsten filaments inside, which is the reason why they are gradually being phased out from production. I then installed LEDs emitting blue light, thus causing a counter-selective evolution in light-bulb manufacturing. The empty bulbs will hereafter serve as a kind of insect incubators. The living world that can be discovered inside these bulbs presents all phases of the short life-cycle of mosquitoes from the growth of the larvae through the pupa stage to the fully developed imagos. Of course, this incubator also represents the maximum living space for these insects, as they perish for lack of appropriate food and fall back into the original medium of their metamorphosis.
photos: Endre Koronczi, Attila Szabó
Needless Experiment No. 7
Unknown Vital Functions
72 pc PVC forms, wooden slats, circuits, wire, LED, electric parts, cleaning fluid, flour
2011, different sizes
Anthropomorphic or zoomorphic organisms? Are they fully developed, but rather passive (or passivized) living creatures, or is their immobility the consequence of the initial state of their life cycle or is it maybe the forming of a chrysalis? What is happening here at all? Is this strange population going to be kept alive or rather exterminated? Are they observed, can we observe them or have we become insiders so that we are participating in this secret and intimate event? As if they were hibernated, or were providing bioenergy operating as a living accumulator. All sci-fi stereotypes, all embarrassing feelings. If we were not watching all this within the walls of a gallery and in the context of an art project, perhaps we would indeed imagine something extraterrestrial in it, but here – determined by the medium – we do not need to worry: this is not scientific, this is „only”artistic.
photos: Garami Richárd, Szabó Attila